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#1
The Netherlands Institute for Sound and Vision audio digitization system: A case study
#2
Don’t let perfect be the enemy of the good: The balance of increased output and quality preservation
#3
Higher than 96KHz: A case for magnetic tape
#4
Digital transformation at audiovisual archives: becoming digital by design
#5
AI AI O[H]: Speech recognition, text analysis, and oral history
#6
Archiving Austin City Limits: Applying software development methodologies to audiovisual archiving
#7
The role of audiovisual archives in music heritage sustainability: Conditions for accessibility and reuse
#8
Aviary: Improving searchability and usability of audiovisual collections
#9
Modern high-quality transfer approaches to wire and magnetic belt formats
#10
The Nuremberg recordings: Listening to the 20th century
#11
Long-term, migration-free preservation of audiovisual content
#12
Systematic in-house digitization of legacy media archives: Case study of industrial digitization facilities
#13
Collect now, use later: Enabling future research
#14
The extraordinary fate of Charles Wolff's record collection
#15
Intellectual property right as part of preservation standards
#16
Media preservation and digitization principles and practices
#17
IIIF for AV: The International Image Interoperability Framework is no longer just for images
#18
Digitizing a century of native voice and song at the Autry Museum
#19
Clean and link your metadata with alignments
#20
Tech obsession
#21
UNESCO on the air: The digital transformation of a global radio history
#22
Seeing the big picture: A data science approach to making sense of archival collections via Jupyter notebooks
#23
The Lucy Durán collection: A report into the technical challenges digitising a mixed format audio collection
#24
How television archiving became a tool for saving radio and providing access to indigenous culture and language
#25
Historical sound documents in Germany
#26
Why I am an (broadcast) archivist
#27
Concepts and data in audio preservation: A meaningful relationship
#28
Audiovisual archives inside science museums: A survey on management and conservation
#29
Drawing the floor plans of your future
#30
Scotland’s Sounds: Fostering creativity in our archives
#31
Assessing video standards for endangered languages archives
#32
New Phonograph: Modular technology, workflow, and collaboration
#33
From a ‘Culture of Silence’ to a free press: What oral histories tell us about self-censorship, ethics, and journalism in Ghana
#34
How do tomatoes sound, 1969-2019?
#35
A novel steganographic process to ensure error-free digital recording and transmission of audio
#36
Red Iberoamericana de Preservación Digital de Archivos Sonoros y Audiovisuales (RIPDASA)
#37
AV as historical documents: Audiovisual materials about the Philippines under Marcos
#38
Ghosts of the popular: Theoretical and historiographic perspectives from the Hidden Years Music Archive
#39
An uncertain but hopeful future: Freeing out of commerce works
#40
The International Library of African Music (ILAM) and its relationship with a decolonial imaginary in present day South Africa
#41
The relation of music archiving and intangible cultural heritage in Serbia
#42
Rescuing Malawi endangered 16mm film collection
#43
Ethnic piano rolls
#44
National aggregator for sound in the Czech Republic
#45
Sangam music: Mobile application as an outreach tool of the National Cultural Audiovisual Archives of India
#46
South African memory: After the Rivonia Trial, new steps, new challenges
#47
A study on the current utilization and development strategy of local audiovisual archives
#48
Zdeněk Liška across institutions and materials
#49
Preserving the legacy of Odɛɛfoɔ Owusu Amoayɛ II
#50
Preserving Chilean independent media: Past, present, and future of the Señal 3 Audiovisual Archive
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